Category: Blog

Difference Engine signed our international distribution deal with Diamond Book Distributors in 2023 with the dream of seeing our comics on bookstore shelves across the world. As we visited book fairs and conferences overseas to learn more about the international comics community, we’re thrilled to have met so many people along the way who share the same vision as us. 2024 has really been a year of experimenting, trying, and learning, and we wanted to share some thoughts from our travels to London, Bologna, and San Diego.

London Book Fair

London Book Fair (LBF) was our first international book fair as clients of Diamond, and seeing our comics showcased on the Diamond Book Distributors stand made everything feel real! Our Publisher Felicia Low-Jimenez and Business Development Manager Charlene Shepherdson were able to learn more about the UK market and opportunities for us as a publisher of Southeast Asian comics. We also connected with other publishers around the world who were looking to do the same – diversify the global book market by publishing lesser-heard stories from their corner of the world. With our upcoming webcomic Tiger Girls in mind, we were excited to speak to webcomic publishers and ebook distributors to learn more about book trends and data that can help us grow our audience.

Our trip to London also included a bookstore tour which is of course the highlight of any book nerd’s itinerary! In Singapore where independent bookstores, especially those that specialise in comics, are incredibly rare and precious spaces, a bookstore tour is such a treat. Some of our stops included Waterstones, Gosh! Comics, and Forbidden Planet. At each stop, our eyes grew wide at the sheer scale of the manga and comic shelves and the diversity of titles available.

We noticed so many little details about these bookstores that gave their space a sense of community – handwritten book reviews, curated book stacks, and themed displays. All of it inspired us to imagine where DE comics could fit in someday on those shelves amongst titles from other well-loved publishers. Needless to say, we couldn’t help but bring home many of those books for ourselves! (It’s all for research, of course.)

We also had a chance to visit the Write Cut Rewrite exhibition at Oxford University’s Bodleian Libraries which was an interesting look into the invisible labour of editing in literature. Showcasing various drafts of famous manuscripts and abandoned works, it made us think about how we could render the typically unseen process of comic-making more visible and accessible to readers through experiences, activations, and workshops.

Bologna Children’s Book Fair

As a comics publisher, we felt right at home at the Bologna Children’s Book Fair (BCBF). Our booth was located in the Comics Corner. This dedicated comics section of the fair was almost doubled in size compared to last year which was a great sign of the growing interest in comics globally! We had an exciting schedule full of meetings with publishers, marketing professionals, and illustrators from all around the world. Some highlights included chatting with Janna Morishima from Kids Comics Unite who shared so many insights with us, and meeting the team at Andrews McMeel who will be releasing US Editions of The Makers Club in August 2024, originally published by DE as our first comic series! It was truly a full-circle moment for us.

Our Design Lead Claire Low joined Felicia this time and she had much to share about the fair from an illustrator’s point of view. What set BCBF apart was how art could be encountered everywhere from the communal graffiti wall to the Illustrators Wall where artists could display their artwork. We brought prints illustrated by our in-house designers at DE and claimed a little corner of the wall just for Singapore! It was refreshing to see illustrators boldly approach publishers for a portfolio review which made BCBF a great space to connect with illustrators and potential comic creators. With so many comics available to browse, one easily got lost in the worlds of different illustrators amidst the hustle and bustle of the fair.

Felicia also shared some of her thoughts at New Comics From Southeast Asia: An Emerging Market, an all-women Southeast Asian comics panel with representatives from publishers in the Philippines as well as industry colleagues from Singapore. We were so happy to be able to put Southeast Asia on the map as a region with many different but shared cultures that are reflected in the range of comics coming out of our scene.

The ALA Annual Conference & Exhibition

The sprawling ALA Annual Conference & Exhibition (ALA) was a book lover’s fever dream where we were constantly surrounded by and talking to people who love reading – it’s definitely our kind of convention! As much as publishing is a business, it’s also a deeply human one where conversations and connections become part of the story. ALA proved that librarians are not only some of the loveliest people to talk to, but also people who shared our sense of humour with how quickly our comic badge ribbons were snatched up!

It was really encouraging for a young publisher like us to hear that some librarians were specifically looking at expanding their Southeast Asian collections. A common thread across these conferences and fairs has been an increasing emphasis on diversity, and we’re so heartened to meet many librarians who share that ethos and want to inspire young readers to read widely. We were also pleasantly surprised to see a ton of interest in our short comic Ada’s Adventure which we conceptualised as a resource for breaking down the elements of a comic for young readers. Physical copies made their rounds across ALA and we’re hoping they might even find their way into school libraries in America! You can read the Ada’s Adventure version here. 

We also had the chance to meet incredible creators such as Daniel Nayeri of the award-winning middle-grade novel The Many Assassinations of Samir, the Seller of Dreams and Sabir Pirzada, writer for TV shows such as Moon Knight and Ms. Marvel! Their positive reactions to our work lit a fire inside us, and there’s definitely no better feeling than being able to share what you’ve created with the people whose work you love.

And finally, we got to have dinner with a few librarians and reunite with our friends at Diamond Book Distributors since officially inking our partnership deal at Frankfurt last year! After speaking with them over good food, company, and drinks, there’s no doubt in our mind that they truly are the nerds we need.

Thank you to everyone who spent time speaking and sharing with us! We’ve learnt so much and are excited to plan for the road ahead. Look out for us at Frankfurt Book Fair from 16–20 October 2024!

Just as much as it’s a clarion call for equality, International Women’s Day is also a reminder that many conversations are hard-won only by those who have tried to make space for them. For #IWD2024 on 8 March, we spent our Friday evening with Andeasyand and Griselda Gabriele, two of our creators who have spearheaded the kinds of conversations that Difference Engine wants to spotlight with the DE Shorts imprint.

A full house gathered at Book Bar in celebration of womanhood and all it’s messy and glorious parts. In discussing Andeasyand’s A Drip. A Drop. A Deluge: A Period Tragicomedy and Griselda Gabriele’s Bearing Witness (written by Vinita Ramani whose presence was missed) both depicting the lived experiences of woman, our speakers did not shy away from bold reflections, searing honesty, and candid humour.

Without any gentle tiptoeing, the conversation didn’t miss a beat as it opened with Andeasyand’s unhurried detailing of the awkward but relatable moments that arise while menstruating. Pains, stains, and pad wedgies were discussed in the same breath as her frustrations (of which many of us share) with upmarket pads and the period tax—the experience of unjustified shame being the most relatable point of all as nods and warm laughter rippled through the audience.

Just as Andeasyand isn’t afraid to turn period narratives on its head, Griselda spoke boldly about bringing authenticity to a difficult subject on Bearing Witness. Sharing about the process of translating Vinita’s grief for Mithra, her unborn child, into illustrations, Griselda reflected on the importance of drawing boundaries and respecting the “little things” that make up her story. Through open conversations with Vinita which eventually grew into a friendship, Griselda was able to observe and share in Vinita’s particular experience which lent itself to illustrations that captured the emotional layers without falling into the trap of painting overarching narratives of grief in broad strokes.

Griselda recalled noticing small, meaningful moments: how even amidst the sadness of losing Mithra, Vinita still thought of him with a lot of reverence; that even though it was a painful experience for Vinita, it was a spiritual one for her as well. Similarly, Griselda was able to sense how Vinita’s young daughter, Sahana, was a constant beacon of joy and love in the midst this tragedy. These nuances took visual form with the motif of the marigold flower as a callback to Hindu traditions and imagery and evocative moments between Sahana and Vinita that remain true to her emotional journey.

The subject of normalising experiences was also at the centre of the conversation that night. Working on A Drip. A Drop. A Deluge as both the writer and illustrator, Andeasyand initially took to drawing to articulate thoughts that she could not express in words. She envisioned it initially as a short zine, but realised that it needed to be told as separate stories. What eventually emerged was not only a story from one woman’s perspective, but a collage that saw the experience of menstruation as something as diverse as the kinds of bodies that bleed. 

For Griselda, it was also important to recognise pregnancy loss as a profoundly emotional experience that isn’t necessarily captured by medical diagnosis or physical symptoms. Her challenge was to paint a picture of the profound and ineffable loss, and she shared about the research she did to bring this much-needed perspective. She hopes Bearing Witness is not just a recollection but also a resource for women who might be going through the same thing. 

“I thought about Southeast Asian perspectives and how they were absent from existing comics and books about miscarriage… a lot of them were from western sources which were medical, but I wanted to bring the emotional perspective.” — Griselda Gabriele

Inevitably, the discussion about representation and incredibly personal experiences also brings to mind the question of what isn’t shared or what has been left off the page. Andeasyand spoke more about self-censorship and having to run up against the question of who A Drip. A Drop. A Deluge is written for.

“As a hijabi, can I write about this? Can I portray a cooch on the page?” — Andeasyand

In spite of her doubts, she shares that speaking to other women helps her to introspect and better understand the inclination to avoid certain topics. It is also a reminder that even though she’s found her stride as an adult, there are things that might loom scary and large in the mind of someone younger than her. She finally realises: “the book is written for the little girl who can’t get answers anywhere”.

The conversation ended with levity as Andeasyand spoke about the phrase that framed her comic: tragicomedy. The audience nodded in recognition of moments of shared awkwardness, mutual frustration, and collective indignation that gives way to a sense of found community that understands what it is to want to laugh and cry at the same time when someone readily offers a pad to you in a public toilet or when strangers offer help to someone crying on the street. The word “sisterhood” also resonated with Griselda who fostered an incredibly special bond with Vinita through the creation of Bearing Witness. “There’s a camaderie that happens and people that know will understand,” Griselda shared. “I don’t think Bearing Witness would be the way it is without our friendship because (Vinita) shared a lot of herself and the experience with me.”

“The thing about friendship is that they make you realise how deep that thing is because only with friendships is there trust… our experiences can be so lonely. It is a burden shared, a burden halved.” — Andeasyand

After many months of brainstorming, tinkering, and hopeful dreaming, we’re excited to finally have our 2024 catalogue out in the world! In the works are five new projects and titles which stretch from Southeast Asian fantasy to narratives couched in the chaos of everyday reality.

In the spirit of building new things and reaching new communities, we’ve also set our sights on our very first web and audio comics which we hope will expand our definition of comics and make our stories more accessible to fans out there.

Download our catalogue here or read on to find out more!

Tiger Girls

By Felicia Low-Jimenez and Claire Low
Category: Young Adult Fiction
Theme: Fantasy, Mythology
Release: Jul 2024 (webcomic) / 2025 (print)

Synopsis
Marked by their zodiac sign, the Tiger Girls live in constant fear and anxiety, mounting their resistance against impending attacks while living in the shadows.

Behind the scenes, young Suling resentfully toils as a record-keeper, while yearning to be on the frontlines, fighting alongside her sign sisters. However, an unexpected visitor arriving at their hidden location will upend her world entirely…

Chinese superstition would have us believe that girls born in the year of the tiger are bringers of bad luck. Tiger Girls turns that myth onto its head in an epic tale that features amphibious water warriors, mysterious islands, and an incredible cast of strong female characters. If you love stories that take place in a fantastical Southeast Asian setting brought to life by a manga-inspired art style, this is one you won’t want to miss.

Tiger Girls will be released episodically as a free eight-part webcomic beginning in July 2024. The print edition which includes never-before-seen bonus content will be released in 2025.

To the Last Gram

By: Shreya Davies and Vanessa Wong
Category: Young Adult Fiction
Theme: Eating Disorders, Mental Health
Release: Oct 2024 (print) / 2025 (audio comic)

Synopsis:
Through her school days, where she must negotiate a precarious balancing act between her culture and fitting in, to her teenage years where appetites must be managed to keep up appearances, to her early adulthood where responsibilities feel overwhelming, Divya journeys from feelings of emptiness to once again finding fulfilment within.

Combining evocative comics and expressive prose, To the Last Gram is an honest and hopeful story of feeling at odds with and finding a home in one’s community, family, and body, and of the yet-unfurling journey to embrace the fullness of life.

To the Last Gram is the fourth title in our DE Shorts imprint which spotlights stories of lived and shared experiences around a range of social issues. Shreya Davies offers a sensitive and nuanced take on the heavy subject of eating disorders in her depiction of Divya’s relationship with food, body image, and identity across various stages of her life. Accompanied by Vanessa Wong’s endearingly off-kilter illustrations, mundane moments are transformed into evocative scenes of modern anxiety as Divya navigates the struggles of cultural acceptance, growing up, and fitting in.

The October 2024 print release of the comic will be followed by an audio comic adaptation in 2025 – a growing audio format which not only translates the dialogue in comics, but uses sound effects, narration, and dialogue to capture all of its visual elements into an immersive narrative experience.

Unbecoming Maya

By Andeasyand
Category: Young Adult Fiction 13+
Theme: Menstruation, Coming-of-Age
Release: 2026

Synopsis:
For as long as Maya can remember, she has meandered through life at the same rhythm: Waking up at 6.30AM. Putting the kettle on. Making oatmeal for breakfast and leaving it to cool to the perfect temperature. Straightening her bed. Getting into her school uniform. Gobbling said breakfast down to rush out of the house to meet her best friend Jacob.

But one day, everything changes.

First she sees it in the little things. Then it comes all at once.

As Maya seeks to hold onto her sense of self in a changing body, she must also navigate the unspoken expectations and traditions of her community as they start to reveal themselves.

Unbecoming Maya is a coming-of-age story that explores the intricacies of adolescence, friendship, and bodily changes — and that sometimes, help can be found in the most unlikely places.

After the overwhelming response for A Drip. A Drop. A Deluge: A Period Tragicomedy, Andeasyand returns with her first full-length comic, Unbecoming Maya. Colourful musings on adolescence, friendship, and bodily changes are captured in this coming-of-age story illustrated in her signature whimsical style as she continues the conversation about menstruation and periods in an even bigger way.

Magical Sweet Gula 2 & 3

By Johanes Park & Jessica Leman
Category: Children’s Fiction
Theme: Fantasy, Friendship
Release: 2025 & 2026

Synopsis:
The adventures of Gula and her friends continue! Stay tuned for the next two instalments in the Magical Sweet Gula trilogy, which will see more spellbinding showdowns, adventures spanning both the Terran and magical worlds, unexpected encounters with new characters, and a whole lot more delicious treats!

If you haven’t had enough of Gula Gulali, the sweet-toothed magi returns for more inter-dimensional hijinks across the decadently illustrated worlds of magic and non-magic in Magical Sweet Gula 2 & 3! See Gula continue to turn more things into dessert with her magi powers in the final two instalments of their Magical Sweet Gula trilogy.

DELAY: A Comics Anthology

Co-editors: Charis Loke and Paolo Chikiamco
Category: Adult Fiction
Theme: Anthology
Release: 2025

Synopsis:
Looming milestones, and missed connections. Resisting mainstream expectations, and doing life at your own pace. What does DELAY mean to you? Writers and illustrators from all around Southeast Asia take on this theme in an anthology curated by guest editors Charis Loke and Paolo Chikiamco, telling stories close to their hearts while exploring the potential of the comics medium to depict the passage of time.

We had such a blast with SOUND: A Comic Anthology that we’re launching a second collection of short comic fiction, DELAY: A Comics Anthology! We’re inviting Southeast Asian creators to submit story pitches that interpret the theme of “delay” in unexpected ways. Creators whose pitches are chosen will get a chance to work with the powerhouse editorial team made up of Malaysian illustrator and educator Charis Loke as well as Filipino prose and comics writer Paolo Chikiamco who was previously a contributor to SOUND. Click here for more details on how to submit your pitch!

Creator Bios

Felicia Low-Jimenez believes that stories have the power to change the world. She’s also one half of the writing team behind the best-selling Sherlock Sam series of children’s books. Find her at www.sherlocksam.wordpress.com.

Claire Low is a highly visual individual with an interest in telling stories. Her works range from illustrations and graphic design to filmmaking and scriptwriting. In her spare time, she draws fantasy-inspired works on her art account on Instagram: @comatomato.

Shreya Davies has edited comics, literary fiction, and non-fiction publications. Her short stories have appeared in The Epigram Books Collection of Best New Singaporean Short Stories (Vol 4) and Mahogany Journal. She never leaves home without a book in tow.

Vanessa Wong is an illustrator and graphic designer who finds beauty in mundanity. Drawing inspiration from people and interactions in her daily life, she hopes to use her art to find humour in and celebrate such moments. When she isn’t drawing, you can find her somewhere, staring at nothing. Instagram: @tradervans.

Andeasyand is a Nurulhuda Izyan who wrote and illustrated A Drip. A Drop. A Deluge: A Period Tragicomedy. She peddles puns and observations surrounding mental health, the period cycle, and everything in between through illustrations and long captions. When she isn’t, she is making a crafty mess.

Johanes Park and Jessica Leman are an artist-writer couple based in Jakarta, Indonesia. Inspired by Johanes’ childhood experiences growing up with both Korean and Indonesian identities, the duo first created Magical Sweet Gula together in 2015, to share a story of acceptance and friendship with young people who feel “different”.

Charis Loke is a Malaysian illustrator and educator telling stories with images. Her work takes root in both fictional and real-world cultures, whether she’s making fantasy maps or board games about Malaysian markets and kaki lima. She has an MA in Visual Sociology from Goldsmiths and has an interest in drawing and mapping as arts research. She also edits and curates non-fiction comics and visuals for Southeast Asian nonprofits and publishers, including co-editing SOUND: A Comics Anthology, published by Difference Engine. Visit her website here: www.charisloke.com.

Paolo Chikiamco, from the Philippines, is a lawyer and writer of prose, comics, and interactive fiction. His prose has been published in anthologies such as The Sea is Ours and The Best of Philippine Speculative Fiction, and his interactive wrestling novel Slammed! was released by Choice of Games. As an editor, he put together Alternative Alamat, an anthology of stories that reimagine Philippine myth and folklore. As a comics writer, he has collaborated with some of the country’s most talented artists.

*Titles and illustrations are not final.

For updates on these titles and more, sign up for our e-newsletter.

If you have a story you’d like to tell, click here to find out more details on submitting your pitch or manuscript to us. We’d love to hear from you!

1 March 2024, Singapore — Difference Engine is proud to announce its 2024 catalogue which includes five new projects and titles across the adult, young adult, and children’s categories. In line with the independent publisher’s mission of putting Southeast Asian voices on the map, this upcoming slate of projects includes works by creators from Singapore and Indonesia as well as a comics anthology featuring writers and illustrators across the region. 

2024–2025 marks a series of firsts for Difference Engine with its debut webcomic and audio comic accompanying the print release of upcoming titles Tiger Girls and To the Last Gram respectively. Tiger Girls, a young adult fantasy comic written by Felicia Low-Jimenez and illustrated by Claire Low, is the graphic adaptation of Low-Jimenez’s short story first published in Singaporean speculative fiction anthology Fish Eats Lion Redux. Against the backdrop of a tropical Southeast Asian island made fantastical by Low’s manga-inspired art style, a restless young record-keeper, Suling, reckons with the Chinese superstition that casts girls born in her zodiac year, the tiger, as bringers of bad luck. From July 2024 onwards, readers can follow Suling’s ensuing quest to find her place amongst the island’s Water Tiger warriors as Tiger Girls gets released episodically as a free eight-part webcomic. Future fans of the series can also expect the subsequent print edition in 2025 to include never-before-seen bonus content.

Expanding on Difference Engine’s DE Shorts imprint, To the Last Gram is the fourth in this series of short comics that spotlight stories of lived and shared experiences around a range of social issues. Shreya Davies’ lyrical prose provides a gentle touch to the heavy subject of eating disorders in her depiction of Divya’s tumultuous relationship with food and body image. it is underscored by Vanessa Wong’s endearingly off-kilter illustrations which transform typically mundane moments into evocative scenes of modern anxiety. Young adult readers will find familiarity with Divya’s struggles of cultural acceptance, growing up, and fitting in as the narrative traverses between various stages of her life. The October 2024 print release of the comic will be followed by an audio comic adaptation in 2025 – a growing format for graphic narratives that translates the immensely visual medium of comics and its illustrative features into immersive experiences through sound effects, narration, and dialogue.

Low-Jimenez, also the Co-Founder and Publisher of Difference Engine, shared, “Venturing into the world of web and audio comics is a chance to reach out to a wider audience than ever before. Any opportunity to make comics more accessible is worth the challenge, and we are also interested to see how we can foster new communities and fandoms around our works.”

Young adult readers can also look forward to Andeasyand’s Unbecoming Maya, slated for release in 2026. Following the success of her 2021 DE Short A Drip. A Drop. A Deluge: A Period Tragicomedy, Andeasyand continues her colourful musings on adolescence, friendship, and bodily changes in this coming-of-age story illustrated in her signature whimsical style. Exploring the topic in a full-length comic this time, Unbecoming Maya might be a departure from the short vignette-style format of A Drip. A Drop. A Deluge, but still centres the conversation about menstruation and periods in an even bigger way.

Adding to Difference Engine’s children’s titles is Indonesian artist-writer couple Johanes Park and Jessica Leman with The Magical Sweet Gula 2 & 3, the final two instalments of their Magical Sweet Gula trilogy coming out in 2025 and 2026. Gula Gulali returns for more inter-dimensional hijinks across the decadently illustrated worlds of magic and non-magic as she continues to turn more things into dessert with her magi powers.

Rounding off Difference Engine’s forthcoming titles is DELAY: A Comics Anthology, the publisher’s second collection of short comic fiction following SOUND: A Comic Anthology. As part of the anthology, Southeast Asian creators are invited to submit story pitches that interpret the theme of “delay” in unexpected ways. Creators whose pitches are chosen will get a chance to work with a veteran editorial team comprising Malaysian illustrator and educator Charis Loke in a reprisal of her role as co-editor of SOUND, as well as Filipino prose and comics writer Paolo Chikiamco who was previously a contributor to SOUND.

“It’s the beginning of a milestone year for Difference Engine as we make room for more ambitious projects that push the boundaries of how stories can be told,” added Low-Jimenez. “Especially with our first foray into the US and international markets together with Diamond Book Distributors, it’s an exciting year of growing and learning for us while still staying true to our core of creating space for lesser-known stories.”

Check out Difference Engine’s 2024 Catalogue here.

Follow Difference Engine on:

For enquiries, contact:

Olivia Djawoto
Marketing and Communications Manager
Difference Engine
olivia@differenceengine.sg

1 March 2024, Singapore — Difference Engine is excited to launch its open call for Southeast Asian illustrators and writers to submit story pitches for DELAY: A Comics Anthology, the Singapore-based comics publisher’s second collection of short comic fiction. The anthology is slated for publication in 2025. 

From 1 March – 26 April 2024, creators can submit their ideas for Southeast Asian inspired narratives that interpret the theme of “delay” in unexpected ways. With the one-word prompt as a broad canvas from which a multitude of angles can be explored, creators are encouraged to put their own spin on the subject whether it is about looming milestones, resisting mainstream expectations, or doing life at one’s own pace.

Following the success of Difference Engine’s first anthology SOUND: A Comics Anthology (2020), Malaysian illustrator and educator Charis Loke reprises her role as co-editor of the anthology alongside Filipino prose and comics writer Paolo Chikiamco who was previously one of the contributing creators for SOUND. Both veterans in the Southeast Asian comics industry, Loke and Chikiamco’s combined experience in editorial direction, comics creation, and visual storytelling speak to their capability as an editorial team guided by creative collaboration and a strong sense of identity. 

Speaking in anticipation of the forthcoming submissions, Loke commented, “I’m excited for stories that use relationships between text and visuals to craft specific sensations of time on the page. Make us feel! Make us wonder! Make us see the world differently without being didactic about it.”

Chikiamco added: “I’d like to see stories that are comics stories first and foremost, submissions that are created with an eye to the strengths and capabilities of comics as a medium, with modes of expression that simply wouldn’t work anywhere else”.

The open call anthology format has been crucial in Difference Engine’s initiative to discover, develop and showcase the talents of local and regional creators. Difference Engine Co-Founder and Publisher Felicia Low-Jimenez remarked: “As a young independent press, SOUND was pivotal in establishing Difference Engine within the regional comics scene. The anthology helped to connect us to so many talented creators across Southeast Asia, many of whom we’re excited to potentially work with in the future. Particularly with our new foothold in the US and international markets through our partnership with Diamond Book Distributors, we hope DELAY will present new opportunities for us to grow and amplify Southeast Asian voices”.

Echoing Low-Jimenez’s sentiments, Chikiamco also concluded: “Difference Engine is proudly Southeast Asian, this anthology is proudly Southeast Asian, and we want (the) stories to be as well”.

Follow Difference Engine on:

For enquiries, contact:

Olivia Djawoto
Marketing and Communications Manager
Difference Engine
olivia@differenceengine.sg