- A Call (Nadhir Nor)
- Blabber (Bonni Rambatan)
- Bonus Points (Benjamin Chee)
- Folk (Paolo Chikiamco & Borg Sinaban)
- Hokkien for Beginners (Nicolette Lee)
- ON / OFF (Xie Shi Min, Xiao Yan, & Richard Phua)
- Out of Sight (Wong Jingwei & Soefara Jafney)
- Road Trip Radio (Cathlyn Vania)
- Signals (Farid Nad)
- Softly, Sayang (Sharon Bong & Leong Yi Zhen)
- The Calling (Amahl Azwar & Nadiyah Rizki)
- The Cat Who Barks (Bryan Arfiandy)
- Voices and Votes (Rafael Romeo Magat & Ruth Chris De Vera)
Category: Announcements
You Don’t Need a Secret Handshake to Start Reading Comics
We’re Difference Engine, a new independent comics publisher based in Singapore, and we’re excited to announce that we will be releasing four new titles in 2020!
Our debut line-up focuses on stories told by Southeast Asian creators, and features established names and two Singaporean writers new to working on comics.
We feel that there is a place for young, independent publishers in Asia to carve out a space for their unique brand of stories and have them read by everyone. We’re inspired by stories coming from Asia, and we can’t wait to add to the growing number of Southeast Asian voices in the scene.
One of the first titles we will be publishing is SOUND: A Comics Anthology, an initiative to develop and showcase local and regional creators.
As our guest editor Charis Loke put it, “So many Southeast Asian storytelling traditions—wayang, chanted epics, songs of healing, recited poetry—are rooted in oral forms. With this in mind, SOUND: A Comics Anthology is an exciting opportunity to explore what comics as a storytelling medium is capable of.”
Charis, an illustrator and arts-educator, will be co-editing the anthology together with writer Budjette Tan who co-created the horror comics series Trese. They’re both veterans in the Southeast Asian comics industry and we’re pleased to have them come on board as guest editors! SOUND: A Comics Anthology opens for submissions today, 4 May, and closes on 31 July 2019. Click here to find out more about the rules and regulations.
We’re also developing a new middle-grade series The Makers Club together with Eisner-nominated Malaysian creator Reimena Yee and Philippines-born comics artist Tintin Pantoja, who will be working on the series as writer and illustrator respectively. The lighthearted series focuses on friendship, inclusiveness, and the importance of creativity in STEM. Book 1—The Makers Club: Game On!—will be published in the first half of 2020.
Reimena Yee said, “The Makers Club is a graphic novel I would have enjoyed reading as a kid. But since that is long past, I’m excited about the next best thing: creating it with my collaborator Tintin for the next generation of kids! I’m really proud The Makers Club will represent Southeast Asian girls who are creative and nerdy, both on the pages and behind the scenes.”
Singaporean kidlit author Melanie Lee will take on her first comic writing role in collaboration with prolific Malaysian artist Arif Rafhan. Amazing Ash & Superhero Ah Ma explores growing up and growing old, and how life can be complicated when you have superpowers. This middle-grade standalone will be published in the second half of 2020.
Arif Rafhan commented, “Working with Melanie has always been great. It’s our third time now and we are reaching a telepathic stage in our working relationship – for real! I’m also very excited to be part of the DE family. I admire DE’s passion for comics-making and publishing under them would be a great opportunity.”
Also new to the comics scene is local playwright Gina Chew, who has teamed with internationally-published Singaporean artist Foo Swee Chin, aka FSc. The duo is working on a story set in a fantastical world where a girl touched by death meets a boy who is Death’s messenger. Afterlife, a Young Adult fantasy will be published in the second half of 2020.
Said Gina Chew, “I’m so excited to be given this chance and a team who believes in my story, and at the same time, I feel the weight of writing a story that will do justice to all the cultures and influences that I’m drawing my inspiration from.”
Readership for comics and graphic novels has been growing steadily worldwide with an increasing number of international publishing houses setting up dedicated comics imprints and attracting talent globally.
We want to add to the growing number of Southeast Asian voices in the scene, and to do our best to amplify as wide a range of voices as we can! We believe that small details in stories matter. And those details can make all the difference in a visual medium like comics.
As Felicia, our head, says, “We want to publish books for long-time comic fans, but also for readers who have never picked up a comic before! You don’t need a secret handshake to start reading comics.”
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Update (March 2020): Unfortunately, Foo Swee Chin has withdrawn from Afterlife due to personal reasons. Illustrator Nadhir Nor will be working together with Gina Chew on Afterlife and we are excited to see the new directions the story will take!
Frequently Asked Questions – SOUND: A Comics Anthology
Q: How do I show proof of residence in Southeast Asia?
A: We accept documents that have both your legal name and residential address printed on it, such as your recent utilities or telecommunications bill (not more than 6 months old). You will need to scan your documents and email them to us when requested.
Q: I am of Asian descent but not living in Southeast Asia. Am I eligible to submit to the anthology?
A: Unfortunately not. SOUND: A Comics Anthology was initiated to offer opportunities to creators who reside in Southeast Asia. Therefore, all members of the creative team must also reside in Southeast Asia.
Q: Which countries are considered part of Southeast Asia?
A: Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand, Timor-Leste, and Vietnam.
Q: If I am not eligible to submit to this anthology, will there be other opportunities to get published with DE?
A: Yes! If you would have a story that you would like to see published, please head over to our general submissions page here.
Q: Do the portfolio samples need to be linked to the story I am pitching for SOUND?
A: They do not need to be linked.
Q: Do the portfolio samples need to be in black and white?
A: They do not need to be in black and white.
Q: How do I find creators to collaborate with?
A: You can head to the Facebook post here to introduce yourself to fellow creators!
SOUND: A Comics Anthology
Update: We have announced the final teams and stories here.
Traffic. The crackle of food. An argument.
What does sound look like to you?
Send us your stories now.
Difference Engine would like to invite writers and illustrators to submit story pitches to our comics anthology, which will be published in 2020! SOUND: A Comics Anthology is an initiative to develop and showcase the talents of local and regional creators. Coming on board as guest editors are Budjette Tan and Charis Loke, both veterans in the Southeast Asian comics industry.
We’re looking for comics that are:
- Original fiction of any genre in the theme of “sound”
- Inspired by Southeast Asia
- 10-20 pages long
- Black & White
- Written in the English language
Creators must be:
- Living in Southeast Asia
- Of Asian descent
- Aged 18 and above upon submission
There will be two rounds of selection – Round 1 (Call for Submissions) and Round 2 (Further Development).
Stories selected for publication will receive a page rate of USD$30.
The deadline for Round 1 is 31 July 2019, 11.59pm GMT +8.
For more details, read our rules and regulations at the bottom of the webpage, or download the PDF (they’re the same!).
Read our FAQ here.
If you are a writer looking for an artist, or an artist in need of a writer, head to the Facebook post here to introduce yourself to fellow creators.
Download:
Entry Form (PDF) / Entry Form (Word Doc)
Rules and Regulations (updated 28 Aug 2019)
SOUND: A Comics Anthology Information Booklet
Our Guest Editors
Budjette Tan
Budjette grew up in a haunted house and was told to sleep early because there were aswang flying outside his bedroom window. These stories inspired him to write the comic book TRESE, which he co-created with artist Kajo Baldisimo. TRESE will soon be adapted into a Netflix anime series.
“I’m excited to see what kind of stories we’ll get for the anthology because the topic is very challenging. I feel it will push the writers and artists to figure out how to tell a story about sounds, music, songs, voices, noises, in a medium where your main weapon of choice are visuals and words. It feels great to be working with a team that shares a passion for telling stories, most especially through comic books.”
Charis Loke
Charis is an illustrator and educator based in Penang, Malaysia. Her work draws upon literature and visual culture, exploring both real and fictional worlds. She is the Comics & Illustrations Editor at New Naratif and a committee member of Arts-ED, where she works on community-based arts and culture education for youth.
“So many Southeast Asian storytelling traditions — wayang, chanted epics, songs of healing, recited poetry — are rooted in oral forms. With this in mind, SOUND is an exciting opportunity to explore what comics as a storytelling medium is capable of. How might you push visual boundaries to depict the unseen? How might you meld word and image to be sound itself, not merely a representation? How do you tell stories with, without, about sound?”
Rules and Regulations for SOUND: A Comics Anthology
1. Theme
The theme of this comics anthology is “sound”. The stories must be inspired by Southeast Asia.
2. Content Eligibility
Content must be:
- Original fiction of any genre. Not currently under review or previously published by a publisher. We accept stories that have been self-published on personal blogs, websites, Patreon, or elsewhere. We will also accept excerpts from longer work if they can be understood as a standalone without the need for additional context.
- 10-20 pages long
- Black & White
- Written in the English language
- Suitable for readers age 13 and above, containing no explicit content, including but not limited to graphic language, depictions of violence, drugs, and sex
Creators/creative teams whose stories are selected will be working with the anthology editors to prepare it for publication.
3. Creator Eligibility
Creators must be:
- Living in Southeast Asia, of Asian descent
- Aged 18 and above upon submission
- Creators can submit as an individual or as a team.
- Multiple submissions are accepted, up to a maximum of 3 per creator.
- Creators/creative teams must own all copyrights to their submitted work.
- Difference Engine reserves the right to request for verification of eligibility.
4. Submission Guidelines: Round 1 (Call for Submissions)
Submissions must include:
- A written story pitch outlining the plot, including the ending (500–800 words) typed in Arial, font size 11, single-spaced
- One page of thumbnails or one page of character/settings concept sketches
- A portfolio sample of 3 illustrations
- A short biography of each creator (50–100 words)
- A completed and signed entry form
All of the above needs to be compiled into a single PDF file no more than 10MB.
Label the PDF file with the title of the story.
Email the file to readcomics@differenceengine.sg with the subject header “Anthology Submission: [title of the story]”.
All submissions must be in soft copy.
Timeline for this round:
- Round 1 Call for Submissions closes on 31 July 2019
- Creators will be informed by 31 August 2019 if their submission has been selected for Round 2 Further Development
5. Submission Guidelines: Round 2 (Further Development)
Creators/creative teams will be requested to submit:
- A full script with page and dialogue instructions
- Five pages of thumbnails
- One page of finished comics
Timeline for this round:
- Round 2 submissions close on 30 November 2019
- Final creators/creative teams whose stories are selected for publication will be informed by 31 January 2020

6. Publication Details
Creator/creative teams selected after Round 2 will be offered a contract in January 2020.
Sound: A Comics Anthology will be published in print and digital formats.
Estimated Publication Date: end 2020.
7. Payment
Stories selected for publication will receive a page rate of USD$30 (or the creators’ local currency equivalent). Creative teams may determine the payment division between them.
Each creator will receive 2 complimentary copies (up to a maximum of 6 copies per submission).
8. Rights Requested
Exclusive first world anthology rights for 1 year from the date of publication in both print and digital formats.
Continuing non-exclusive rights to print and reprint as this anthology for 5 years from the date of publication in both print and digital formats.
Copyright to the published work will remain with the creator(s).
9. PDPA
Difference Engine will take all reasonable efforts to ensure that your personal data is securely handled according to the guidelines set out by the Personal Data Protection Act of Singapore.
Updated 28 August 2019
Difference Engine reserves the right to amend these rules and regulations at any time without prior notice.
Download:
Entry Form (PDF) / Entry Form (Word Doc)
Rules and Regulations (updated 28 Aug 2019)
SOUND: A Comics Anthology Information Booklet
Sneak Peek at our 2020 Titles
The Makers Club: Game On!
“I’m really proud that The Makers Club will represent Southeast Asian girls who are creative and nerdy, both on the pages and behind the scenes.”
— Reimena Yee, writer
Story
Timid artist Nadia is in awe of her new teammate. Priya’s a gamer, she’s smart, and she knows how to code—so this environmental video game they’re building should definitely win the top prize at the Science Fair, right? But Nadia and Priya soon discover that there’s a lot more to making a game than coding and sprites. Will the girls be able to overcome their differences or will it be game over for them far too soon?
The Makers Club is the start of a new series set in Pangolin Secondary School in Southeast Asia. The lighthearted series focuses on friendship, inclusiveness, and the importance of creativity in STEM that is sure to inspire kids to explore, experiment, and have fun!
Creators
Writer Reimena Yee was a science stream student from primary school to university. Now she writes and draws comics. She is the creator of The Carpet Merchant of Konstantiniyya, the first fully Malaysian-made comic to be nominated for the Eisner Awards.
Illustrator Tintin Pantoja was born in the Philippines, graduated with a BFA in Cartooning and Illustration from New York’s School of Visual Arts and has been illustrating comics since 2007.
Readership
Age 9-14
Publication
Amazing Ash & Superhero Ah Ma
“I’m excited to be stretched creatively with this graphic novel project! It also means a lot to be able to write about people and issues that matter to me…but in a fun and super cool way!”
— Melanie Lee, writer
Story
Eleven-year-old Ash doesn’t have much to look forward to: maths tests, a naggy Mum, and an Ah Ma who doesn’t know much about her. That is, until she discovers something that will change her life—Ah Ma is a superhero! The best part is, Ash discovers that she has superpowers too!
Life is so much more exciting as a superhero-in-training. However, Ash can’t help but notice that Ah Ma sometimes gets a little absent-minded while showing her the ropes. Amazing Ash & Superhero Ah Ma is a funny and heartwarming story about family and acceptance. Growing up and growing old is never easy—and all the more perplexing when secrets are added to the mix.
Creators
Writer Melanie Lee is the author of the picture book series The Adventures of Squirky the Alien which picked up the Crystal Kite Award (Middle East/India/Asia division) in 2016. She is also an Associate Faculty at the Singapore University of Social Sciences developing and teaching media writing courses.
Illustrator Arif Rafhan is a comic and pre-production artist. His work has been published in more than 10 books to date by MPH, Buku Fixi, Maple Comics, and Marshall Cavendish. He’s been working closely with Lat since October 2018 for an upcoming graphic novel and is now working with Sony Animation as character designer for their upcoming feature animation.
Readership
Age 7-12
Publication
Afterlife
“I’m so excited to be given this chance and have a team who believes in my story. At the same time, I feel the weight of writing a story that will do justice to all the cultures and influences that I’m drawing my inspiration from. It’s scary, but the fun sort of scary.”
— Gina Chew, writer
Story
Kora has a lot on her mind. Her younger brother is stricken with an ailment that has no cure. The last thing she expects is to have to chase down a mysterious boy who was lurking around in the hospital. And why she does she feel such an inexplicable connection to him?
Eric isn’t prepared for this. He was just there to do his job and bring a new soul into the Afterlife, just as Death had instructed him to do. It was supposed to be an ordinary day. Little did he expect to run into a familiar face from his past in the land of the living…
Afterlife is a story of reflection, lost souls, a daring rescue mission, and one girl’s fight to save what she loves.
Creators
Writer Gina Chew has been writing plays for almost ten years, trying to tell honest and raw stories. Her play Permanence was staged in 2017 as part of a theatre festival for emerging playwrights. Since then, she has started to explore writing for film and now for comics.
Illustrator Foo Swee Chin aka FSc is the creator of several alternative comic books, including A Lost Stock of Children and Mince published by Neko Press, as well as Chimney 25 and Zeet published by Slave Labor Graphics.
Readership
Age 13 and above
Publication
Second half of 2020
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Update (March 2020): Unfortunately, Foo Swee Chin has withdrawn from Afterlife due to personal reasons. Illustrator Nadhir Nor will be working together with Gina Chew on Afterlife and we are excited to see the new directions the story will take!